Whitman and Bryant

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Young WhitmanAs we begin work on our cultural history of New York City, Bryan and I are starting with the premise that one of the things that will make our distinctive is its organization around different "scenes" that have existed during the city's history. This principle was inspired by the account of the "downtown scene" that Bryan gives during our Writing New York lecture course at NYU. Where possible we want to locate these scenes in particular geographic locations such as neighborhoods, parks, buildings, or even street corners. And we're looking for "tour guides" to help us make our way through these different scenes, polymathic individuals whose encounters with the city and its denizens will suggest the networks of cultural affiliation that will help us give shape to our history.

William Cullen Bryant, ca. 1855-65

So I've been working on Walt Whitman's New York. I'm working for the moment on Whitman's early career and my "scene" is centered on the ferry between Brooklyn and New York. I'm expecting Walt to lead me around Brooklyn, to the Lower East Side, to the opera, to the lecture hall to hear Emerson lecturing about the duties of the poet.

Today, however, I've been thinking about another encounter: between Whitman and William Cullen Bryant, the author as a young man of "Thantopsis" and editor-in-chief, from 1829 to 1878, of the New York Evening Post. I started by thinking about whether "Thanatposis," with its blank verse and trisyllabic second line, can be seen as a precursor for Whitman's free verse experiments, but a little rummaging around the stacks led me back to this piece from Whitman's Specimen Days:

 

147. Death of William Cullen Bryant

New York City.—CAME on from West Philadelphia, June 13, in the 2 P. M. train to Jersey city, and so across and to my friends, Mr. and Mrs. J. H. J., and their large house, large family (and large hearts,) amid which I feel at home, at peace—away up on Fifth avenue, near Eighty-sixth street, quiet, breezy, overlooking the dense woody fringe of the park—plenty of space and sky, birds chirping, and air comparatively fresh and odorless. Two hours before starting, saw the announcement of William Cullen Bryant’s funeral, and felt a strong desire to attend. I had known Mr. Bryant over thirty years ago, and he had been markedly kind to me. Off and on, along that time for years as they pass’d, we met and chatted together. I thought him very sociable in his way, and a man to become attach’d to. We were both walkers, and when I work’d in Brooklyn he several times came over, middle of afternoons, and we took rambles miles long, till dark, out towards Bedford or Flatbush, in company. On these occasions he gave me clear accounts of scenes in Europe—the cities, looks, architecture, art, especially Italy—where he had travel’d a good deal.

June 14.—The Funeral.—And so the good, stainless, noble old citizen and poet lies in the closed coffin there—and this is his funeral. A solemn, impressive, simple scene, to spirit and senses. The remarkable gathering of gray heads, celebrities—the finely render’d anthem, and other music—the church, dim even now at approaching noon, in its light from the mellowstain’d windows—the pronounc’d eulogy on the bard who loved Nature so fondly, and sung so well her shows and seasons—ending with these appropriate well-known lines:

 

I gazed upon the glorious sky,

And the green mountains round,

And thought that when I came to lie

At rest within the ground,

’Twere pleasant that in flowery June,

When brooks send up a joyous tune,

And groves a cheerful sound,

The sexton’s hand, my grave to make,

The rich green mountain turf should break.

 

The lines come from Bryant's poem "June," written in 1825. Bryant died on June 12, 1878, so Whitman's entry suggests that they meet while he was working at the Brooklyn Daily Eagle (from March 1846 to mid-January 1848).

On June 16, 1846 Whitman had complained that Bryant's Post was in the frequent habit . . . of taking bodily our local news, and publishing it as original. So are nearly all the New York newspapers, with the exception of the Tribune and the Express." On September 1, Whitman wrote about Bryant's return from a stay in Europe and quoted the assessment of a British journal, the Foreign Quarterly Review:

We have been all along looking out for a pure American poet, who should be strictly national in the comprehensive sense of the term. The only man who approaches the character is William Cullen Bryant. He does not thrust the American flag in our faces, and threaten the world with the terrors of a gory peace; he exults in the issues of freedom for nobler ends and larger interests . . . The woods, prairies, mountains, tempests, and seasons, the life and the destiny fo man, are the subjects in which he delights.

Whitman quotes the review approvingly, but (as Thomas L. Brasher notes in Whitman as Editor of the Brooklyn Daily Eagle [1970], 195-96), "he reserved his superlatives for Bryant as a newspaperman and a Democrat," rather than as a poet. Whitman did reprint eight of Bryant's poems in the Eagle.

So now I'm wondering precisely when it was that Whitman and Bryant met, and I'm trying to imagine the conversations that they might have had as he walked about the city.


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