April 2009

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I Speak of the City

speak_city.JPGTomorrow night at 6:30 p.m., the Tenement Museum is hosting a talk as part of a celebration of National Poetry Month. Poet Stephen Wolf will be leading a reading and panel discussion inspired by an anthology that he has edited, I Speak of the City: Poems of New York. The panel includes Kevin Coval, Christopher Hurt, Grace Schulman, and they will be reading works by Whitman, Hughes, Ginsberg, and others.

According to the Museum’s site: “Poems about New York have their own restless rhythm and ever-changing style, much like the city itself. They capture the major moments and daily doings of New York, from immigrant experiences at Ellis Island to the rush and pull of Broadway. The city never sounded so good.”

The event will be held at the Tenement Museum Shop, 108 Orchard Street at Delancey. RSVP for the session by sending an e-mail to events@tenement.org

You can read poems from the collection on the Tenement Museum Blog.

118flightmural.jpgOn public art in Queens: An excerpt from Public Art New York, by architect Jean Parker Phifer and photographer Francis Dzikowski [Newyorkology]

Coke with that slice? DEA busts drug-dealing pizza parlor in the Bronx. [Animal]

A guide to Boerum Hill [Lost City]

Images of America publishes new volume on St. George, Staten Island. Plus: “town” or “neighborhood”? [Walking Is Transportation]

The making of Manhattanville: What will be lost when Columbia expands? [Manhattanville.net, via an older post on JVNY]

Bonus: From my own back yard — if you haven’t seen Jon Kessler’s amazing installation “Kessler’s Circus” at Deitch Projects (76 Grand Street) you’ve only got through tomorrow. Here’s an older VBS.TV documentary series on Kessler, set in his long-time Williamsburg studio, that should give you a feel for the work.

Image from Newyorkology:

Flight
James Brooks, Artist, 1938-40
Collection of the City of New York
Marine Air Terminal
Delano & Aldrich, Architects, 1937-40; Restoration by Beyer Blinder Belle, Architects, 1995-6
West end of LaGuardia Airport, Flushing

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against_odds.jpgMy lecture yesterday on the Harlem Renaissance was framed by clips from two rather different documentaries about the movement: the 1993 PBS film Against the Odds: The Artists of the Harlem Renaissance and Isaac Julien’s docu-fantasia, Looking for Langston (1988), which we described last year in the blog.

One of the virtues of Against the Odds is that it shows a side of the Renaissance rarely discussed in literature classrooms: the visual and performing arts. It does a good job of setting the Renaissance into an institutional context and highlighting the role of white patronage, with a particular focus on the efforts of the . Founded in 1922 by a white real estate developer named William E. Harmon (1862-1928), the Foundation sought to recognize African American achievements in visual and performing arts as well as in a variety of other fields.

Thumbnail image for looking_for_langston_dvd.jpgAgainst the Odds is illuminating, if a little bit pious. In our course, the film also serves as an example of the kind of standard documentary that Looking for Langston seeks to queer. Indeed, Isaac Julien uses some of the same documentary footage used in Against the Odds.

Both films are available in DVD. Pick them up either at amazon.com or Netflix and cue them up for a double feature. You’ll learn something not only about the Harlem Renaissance but also about the nature of “the documentary.”

olivia_heiress.jpg

Olivia de Havilland in The Heiress (1949)

Henry James’s Washington Square, a staple of our Writing New York syllabus, is the subject of the Mercantile Library’s “Big Read” program this year. “The Big Read” lasts for the entire month of April and kicks off this afternoon at NYU’s Lillian Vernon Creative Wrtiers’ House with a panel discussion called “Washington Square: A Novel of New York.”

You can view the entire schedule for the month by clicking here.

Bryan and I wanted to call your attention to a couple of events that are taking place this weekend on the NYU campus. This first is a screening of two film adaptations of the novel at the Cantor Center on 8th Street and University Place. At 6:00 p.m. on Friday, you can see William Wyler’s 1949 film, The Heiress, starrring starring Olivia de Havilland, Ralph Richardson, and Montgomery Clift.We frequently show clips from the film in class and wrote about it last year here on the blog. At intermission, Susan Griffin (University of Louisville), editor of the Henry James Review and of the forthcoming edition of Washington Square from Cambridge University Press (part of a long overdue edition of James’s complete works), will say a few words about film adaptations of James’s work. Griffin is the author of Henry James Goes to the Movies (University press of Kentucky, 2001). Following her remarks, there will be a showing of the 1997 adaptation Washington Square, starring Jennifer Jason Leigh, Albert Finney, Ben Chaplin, and Maggie Smith. The screening is free and open to the public. You can find out more information at: http://www.nyu.edu/ticketcentral/movies.

On Saturday night, our friends at the Metropolitan Playhouse will be staging a reading of The Heiress at 8:00 p.m. at the University Hall Commons (110 E 14th Street, between 4th and 3rd Avenues). Note the time of 8:00 p.m. The Mercantile Library’s printed newsletter incorrectly listed it as 6:00 p.m. Bryan and I will be there and will lead a Q & A session afterward.

The stage version of The Heiress premiered on September 29, 1947 at the Biltmore Theatre in New York, played for 420 performances, and featured Basil Rathbone as Dr. Sloper. The play was revived on Broadway in 1956 and 1978, and by Lincoln Center in 1995, winning four Tony Awards that year, including Best Revival of a Play and Best Actress for Cherry Jones.

The Big Read is an initiative of the National Endowment for the Arts in partnership with the Institute of Museum and Library Services and Arts Midwest. Among its co-sponsors this year are NYU’s Creative Writing Program and the NYU Humanities Initiative.

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