July 2009

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Summertime

History of Gershwin’s Porgy and Bess here and here.

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The new episode of The City Concealed takes viewers to North Brother Island Bird Sanctuary:

North Brother Island lies in the East River, between The Bronx and
Queens, just west of Rikers Island and directly under the flight path
of departing jets from LaGuardia. It was once the site of Riverside
Hospital, a tuberculosis facility later converted to GI housing after
WWII. Previously, it was home to the infamous “Typhoid” Mary Mallon
during her years of quarantine. Throughout the 1950s, the city operated
a drug rehab center for adolescents there, but the hospital closed in
1963, and North Brother was abandoned. Nature slowly reclaimed the
island. (More here.)

 

The City Concealed: North Brother Island Bird Sanctuary from Thirteen.org on Vimeo.

Last year, when I met Judy Berdy, the official historian of Roosevelt Island, one of the things she told me that I’d never before realized is that all of greater New York City’s islands belong, borough-wise, to Manhattan. That would include the North Brother sanctuary, Roosevelt, and several others. Forgotten NY has a great page dedicated to that little factoid.

And, if you’ve not exhausted your appetite for the New York islands, check out Jeremiah’s recent account of a trip to Governors Island, one of my favorite summer spots, which has gone from ghost town to leisure destination in a matter of a few short years.

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With July 4 recently behind us, I’ve been thinking a little about the history of Independence Day celebrations in the city (and elsewhere). As my friend Farrell pointed out last week, we came pretty close, as a nation, to celebrating July 2. John Adams would have had it that way, and waxed prophetic in a letter to his wife, Abigail, about what he foresaw as a great national holiday:

The Second Day of July 1776 will be the most memorable Epocha,
in the History of America. . . . It ought to be solemnized with Pomp
and Parade, with Shews, Games, Sports, Guns, Bells, Bonfires, and
Illuminations from one End of this Continent to the other from this
Time forward forever more.

charles adams.jpgMaybe it was Farrell’s quoting that letter, or maybe it was the fact that I finally had a chance to see the John Adams HBO miniseries, or perhaps it’s that, in the wake of the film, I’ve been reading an old biography of Abigail I’ve had sitting around forever, but I’ve had the Adamses on the brain in the last week, and it has me thinking about their poor kid Charles, who came to New York in the 1790s to be a lawyer and died a drunk in the gutter in 1800, only 30 years old.

“Let silence reign over his tomb,” his younger brother Thomas wrote. John seemed to concur: “There is nothing more to be said,” he wrote.

Poor Charles, the only New Yorker Adams. Did the city kill him? His story would seem to be the template for a temperance melodrama, the kind that P. T. Barnum made popular half a century later. I first ran into Charles’s story because he had, early on his arrival in the city, become a member of the literary circle I wrote about in Republic of Intellect. He appears to have been a rather lackluster member, though, irregular in attendance, and only really considered part of the club for a year or two. I wish I’d had time to do a little more with his story, but books having deadlines and all I let it drop. This book has a bit more, and there’s a website or two out there with various speculations on the cause of his depression and alcoholism, including the possibility that he was gay. The HBO series makes him a victim of his dad’s devotion to politics; in real life, but not on TV, he made a major journey to Europe as a child with his dad and older brother JQA, then returned in the company of some friends — crossing the Atlantic without parents at age 10 or so — and was diverted and delayed by several months. At one point his poor mother thought him shipwrecked.

If Charles’s friends, once he’d settled in New York in his twenties, knew about his problems with booze, they were pretty circumspect in their diaries and correspondence. One close friend and fellow club member, Elihu Smith, mentions Charles frequently in his voluminous diary and provided medical attention to Charles’s family on occasion. He never mentions Adams’s personal problems and may not have been aware of them. In any case, Smith died two years before Charles did, a victim of the city’s recurring yellow fever epidemics, so he clearly missed the worst of Charles’s decline.

Smith does include in his diary, however, a few descriptions of early July 4 celebrations in New York, and I found myself thinking about these too last week. In 1796 Smith wrote in his diary: “It being the Anniversary of the Declaration of Independence, the day was observed as a festival–& I devoted it to visiting [friends]. Called at [James] Kent’s–[William] Dunlap’s–[William] Woolsey’s–[Isaac] Riley’s–[William] Boyd’s–[Amasa] Dingley’s–: [Richard] Alsop [was] here–He, Wm. [Johnson] & myself drank tea at S[eth] Johnson’s. S[eth], Wm. & I went into the [public] Bath–after which we spent the evening at S[eth] Johnson’s.” The names he mention form a little catalog of literary, legal, and medical professionals his own age, many of them, like himself, Connecticut expats. Several of them would become quite famous in their own time.

The following year Smith was less social in his celebrations and even seemed a little annoyed by the holiday: “The anniversary of American Independence–celebrated with increasing parade & noise,” he noted in his diary.

Smith’s friendship with Adams allowed him one unusual experience related to the history of Independence — in particular the question of how that history would be written and remembered. On 30 November 1796, four years to the night before Charles would die on the eve of John Adams’s failed bid for re-election, Elihu met the President at Charles’s home in New York. His description of the encounter may be interesting to people who’ve cultivated some familiarity with the Adams story:

This, tho’ not the first time of my seeing him, was the first time of my being in his company; & till now I had a very imperfect idea of his countenance. The opportunity was good, & I spent near two hours with him. Some interruptions broke the chain of a conversation, concerning the origin of the American Revolution, which promised to be very interesting. Mr. Adams considers James Otis as “the father of the Revolution.” Mr. Otis’s publications have never been collected. Mr. Adams exprest a fear lest there should never be any good history of the Revolution written. The ground of this apprehension was, that the material facts have never been published; that they were in the memories of individuals, who were dying, one after another; & that no person qualified for the purpose, was employed in collecting the anecdotes which these individuals might afford. He remarked that, could their papers be published, the most authentic history, or the best materials for such a history, would be found in those of the Tories. He particularized Hutchinson, Oliver, & Sewall, who died a short time since, in Nova Scotia. These men, he knew, preserved notes of all the events, & had the originals of the principal papers; but, events having happened so contrary to their wishes, expectations, & endeavour, it was to be feared that their executors & friends would suppress or destroy them, from a regard to the honor, or reputation, of their authors & possessors. In the course of some remarks on Pennsylvania, Mr. Adams said that “William Penn was the greatest land-jobber, that ever existed; & that his successors in the administration of that government, had continued the same policy.” The remainder of the conversation was on the topics of the day; & the state of parties in this State. Mr. Adams’s manners are more agreeable than I supposed them to be. There is no affectation, or pride observable in him; yet he can hardly be called a sociable man. It is not proper to judge from one interview only but such is the impression left by having been once in his company; &, for at least an hour, alone in his company.

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Asterios Polyp

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This week’s New York Magazine features a short piece called “Comics Relief: Finally, the Great New York (Graphic Novel). The novel in question is called Asterios Polyp, and it’s by David Mazzucchelli, who worked with Frank Miller on Batman: Year One and with Paul Karasik on City of Glass (1994), which was deemed the best New York graphic novel ever by a group of cartoonists in a New York magazine piece published in March.

The title character is middle-aged architect and teacher, a bit of an aesthete, and a bit of a womanizer, whose life is turned upside-down by a fire in his apartment in New York City. Asterios leaves the Big Apple for a small town in the Midwest where he reinvents himself as an auto mechanic. And apparently descends, Aeneas-like, into the underworld.

Has anyone read it yet? Mine’s on order from amazon.com, and I’ll post a longer entry about it once it’s arrived. Meanwhile, you can read an excerpt here. For what it’s worth, Entertainment Weekly loved it too.

Slumming

slumming.jpgCyrus and I are at work (among other things) on a long review essay, for the journal American Literary History, dealing with a number of books that can loosely be grouped as histories of slumming and nightlife in the city. The titles under review include this one, as mentioned previously on AHNY, and Chad Heap’s Slumming: Sexual and Racial Encounters in American Nightlife 1885-1940, just out from Chicago.

Heap was featured yesterday in a post on the Times‘s City Room blog:

In 1884, a headline in The New York Times proclaimed: “A fashionable London mania reaches New-York. Slumming parties to be the rage this winter.”

It was one of the early indicators of what grew to be an
entertainment phenomenon that lasted decades: well-off white New
Yorkers exploring black, Chinese, gay or poor working-class
communities. Popular neighborhoods for this voyeuristic pastime
included Chinatown, Harlem and the Lowest East Side tenements, home to
the “Hebrews.”

Many were inspired by Jacob Riis to see how the other half lived, to
the point that people would go into tenements unannounced, knock on
doors and push their ways into the living spaces. “They masquerade as
charity workers,” said Chad Heap, an American studies professor at George Washington University, whose book “Slumming: Sexual and Racial Encounters in American Nightlife 1885-1940″ was released last month.

Slumming seemed particularly en vogue among the children of luminaries. In 1895, a United States senator’s son asked the police to accompany him
and his friends on a slumming party in Chinatown. And part of the
thrill was getting caught up in a police raid. In 1896, the son of the
commander of the Salvation Army was arrested with a disguise of wig and fake whiskers while also slumming in Chinatown.

Read the rest of the entry here.

I won’t give away too much of our take on these books — though we may post a few pieces from the cutting room floor as we go — but for now I just wanted to counter the idea that slumming was imported from London as late as the 1880s (which is the impression CR — and, indeed, the 1880s Times — gives, not necessarily one that Heap propagates). One of my favorite earlier slumming narratives turns up in 1843 in the diary of Richard Henry Dana, a writer and friend of Melville’s, and is collected, among other places, in Ken Jackson’s anthology Empire City. Dana begins with an innocent stroll down Broadway, but soon finds himself diverted to darker ways:

Passing down Broadway, the name of Anthony street, struck me, & I had a sudden desire to see that sink of iniquity & filth, the “Five Points.” Following Anthony street down, I came upon the neighborhood. It was about half past ten, & the night was cloudy. The buildings were ruinous for the most part, as well as I could judge, & the streets & sidewalks muddy & ill lighted. Several of [the] houses had wooden shutters well closed & in almost [each] such case I found by stopping & listening, that there were many voices in the rooms & sometimes the sound of music & dancing. . . .
    Passing out of Anthony street, at the corner of one next to it, a girl who was going into a small shop with a shawl drawn over her head stopped & spoke to me. She asked me where I was going. I stopped & answered that I was only walking about a little, to look round. She said “I am only doing the same,” & came down from the doorstep toward me. I hastened my pace & passed on. Turning round, I found she had followed me a few steps & then gone back to the shop.
    The night was not cold, & some women were sitting in the door-ways or standing on the sidewalks. From them I received many invitations to walk in & see them, just to sit down a minute, &c., followed usually by laughter & jeers when they saw me pass on without noticing them. At one door, removed from sight & in an obscure place, where no one seemed in sight, two women were sitting, one apparently old, probably the “mother” of the house, & the other rather young[.] . . . They invited me to walk in & just say a word to them. I had a strong inclination to see the interior of such a house as they must live in, & finding that the room was lighted & seeing no men there . . . I stopped in almost before I knew what I was doing.

Read the rest of his delightful entry here. Rest assured, gentle reader, he eventually makes it back to the comfortable glare of Broadway’s lights, but not without losing a little money.

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As I’ve hinted here before, Bryan and I are planning a conference on the subject of “Lost New York,” which will be held at NYU on October 2 and 3. So I’m starting a new blog category with that title. We’ll be posting observations about the ways in which the city is changing and what gets lost in the process. Not that we believe (as the category title implies) that change is always a bad thing. But we’re interested in the way that nostalgia seems to be inextricably intertwined with the way in which the ideas of modernity and progress are understood by those who make and record the city’s cultural history.

I’ve been going to Dean and Deluca on 11th Street and University for as long as I’ve been at NYU — going on seventeen years now. This branch of the famous food emporium and coffee store opened about a year-and-a-half before I arrived, in fact. I’ve met colleagues and students there with regularity, and I’ve seen countless advising sessions take place there over the years. No longer. Here’s what the familiar room looks like today.

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Unfamiliar. Empty. Not sure why precisely. The store had been closed by the Department of Health in the middle of June for “operating without a permit.” At month’s end, the fixtures were moved out, and the store was closed for good.

Our friend mannahattamamma has some interesting musings about the loss of Dean and Deluca and the ways in which University Place has changed in recent years.

What do you suppose will go in to that space? Let’s hope it’s a restaurant and not another bank or Duane Reade.

Lego Thriller

Here’s a follow-up to yesterday’s post. It’s not particular to New York, but it is fun.

As I’ve indicated here before, Legos are a favorite pastime at our house. So ….

And, for comparison’s sake, the original …

Haculla and Monica on MJ

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I’ve been meaning to post this photo all week. Lafayette and Prince the morning after.

Also, one of my favorite DJs, Monica, long-time NYC music biz insider, played a set last weekend that’s probably unrivaled out there on the intertubes. Mostly early stuff, Jackson 5, only a couple hits. Man that kid could sing a song.

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New York on Blu-Ray

Highdefdigest.com has just posted its review of the new Blu-Ray release of Spike Lee’s Do the Right Thing. Apparently the color values have been changed: the yellowish tinge of the original cinematography, intended to suggest the effects of summer heat, has been toned done.  But otherwise, they say, it looks terrific.

While you’re at highdefdigest.com, check out their review of another New York classic: Ivan Reitman’s Ghostbusters, which just celebrated its 25th anniversary. The anniversary has also been the occasion for the release of a Ghostbusters videogame made by Atari and featuring the voices of original castmembers Dan Aykroyd, Ernie Hudson, Bill Murray, and Harold Ramis. It’s set in 1991, two years after the film Ghostbusters II. Apparently the game is a wonderful period piece, and it’s available for all major platforms. The Wii version has different graphics from the next-gen editions and looks a lot more cartoony.

Here’s a trailer:

Has anybody out there played it?

By the way, if you’re in the mood for a Ghostbusters pilgrimmage, the firehouse that serves as the gang’s headquarters (until it’s destroyed when the Ecto-Containment field is turned off by a creep from the EPA) is still there at 14 North Moore Street.

Meanwhile, don’t forget the last words of the film, which go to Hudson‘s character, Winston: “I love this town!”

Caleb’s Lulu

crain_wreck_cover.jpgBryan told me the other day that one of our contributors to the Cambridge Companion, the freelance writer and independent scholar Caleb Crain, had self-published a collection of entries from his blog, Steamboats Are Ruining Everything

Actually, Caleb would prefer that the book, which is titled The Wreck of the Henry Clay, not be described as “self-published.” In a blog entry about the book, he writes: “Let’s not call this “self-published,” by the way. That has a kind of disreputable sound. It’s a chapbook, all right? Why am I doing this? I saw not long ago that someone had published a book of his Twitters, and I felt I was in danger of being behindhand. I am hereby restored to the bleeding edge. Also, now, when the electromagnetic-pulse device is detonated, I will be the only blogger in America with backup. And of course I’m looking forward to kicking back while the cold, hard internet cash at last streams in.”

Caleb published the book using Lulu.com. In an interview with The New Yorker‘s “Book Bench” blog, Caleb says (half jokingly): “I think I turned my blog into a book for the same reasons I started a blog in the first place: It was free, I was curious, and, though I knew it to be morally wrong, liberation from the shackles of agents and editors seemed mine, if I was willing to seize it.” You can order it from Lulu here, either as a perfect-bound paperback for $14.95 plus shipping or as a PDF for $5.00.

I chose the paperback, because I wanted to check out Lulu’s production values. I’ll let you know how it looks when it arrives.

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