Cyrus: December 2009 Archives

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Knickerbocker Published

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THIS DAY IN NEW YORK HISTORY

knickerbocker_1849.jpgTwo hundred years ago today, a volume went on sale with the following title:

A History of New-York, from the Beginning of the World to the End of the Dutch Dynasty; Containing, among Many Surprising and Curious Matters, the Unutterable Ponderings of Walter the Doubter, the Disastrous Projects of William the Testy, and the Chivalric Achievements of Peter the Headstrong -- The Three Dutch Governors of New Amsterdam: Being the Only Authentic History of the Times that Ever Hath Been or Ever Will Be Published.
The volume, ostensibly by one Diedrich Knickerbocker, whose supposed disappearance had been publicized in the pages of the Evening Post, was in fact the work of a young lawyer-turned-writer named Washington Irving. The book was well reviewed on both sides of the Atlantic and made Irving a literary star.

And the rest, as they say, is history.

[The image above did not accompany the original edition, but was commissioned for the new edition of 1849.]

Previously.



Scenes for a Cultural History #1

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night_xmas_1898.jpgI wrote last month about a possible model for Bryan's and my cultural history of New York City, drawing inspiration from the recently published volume  A New Literary History of America, edited by Greil Marcus and Werner Sollors (Harvard UP). That volume presents its subject as a collection of some 220 "snapshots," each 2,500 words long. Bryan and I have been talking seriously about doing our cultural history of New York as a set of fifty scenes, each presented in an essay of (surprise, surprise) 2,500 words.

Thinking about Bryan's last post, it strikes me that one such scene might be this:

"Christmas Eve 1822, Chelsea, New York. Clement C. Moore reads his new poem, 'Twas The Night Before Christmas, to his family."
The story may well be apocrophyal, but it goes like this: Moore was returning home from  Greenwich Village, where he had bought a turkey for his family's Christmas dinner, and passed the time by writing the poem for the amusement of his children, to whom he read it after dinner. The poem was published the following year without Moore's knowledge; he published under his own name, finally, in 1844.

I imagine that an essay on this scene would draw not only on Nissenbaum's book, which Bryan so ably described, but also on Elizabeth Bradley's
Knickerbocker: The Myth behind New York (Rutgers University Press) and Elisabeth Paling Funk's essay "From Amsterdam to New Amsterdam: Washington Irving, the Dutch St. Nicholas, and the American Santa Claus," which can be found in the anthology Explorers, Fortunes and Love Letters: A Window on New Netherland. We'd be able to explore the fascination with New Amsterdam in the wake of Irving's 1809 History (which would no doubt get its own essay) and also Moore's own family history, which is rooted not in Dutch but in British New York.

The essay would also give us the opportunity to evoke the Greenwich Village and Chelsea "scenes" circa 1822, which might well prove to be touchstones throughout the volume.

I note in passing that there is no entry devoted to "Moore, Clement Clarke" in Burrows and Wallace's Gotham: A History of New York to 1898. Add that to the list of reasons that Bryan and I need to write our cultural history.
 



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