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In January a star-studded cast of NY rockers held a benefit concert at St. Ann’s Warehouse to raise funds for Tuli Kupferberg — LES poet & Fug, immortalized in Ginsberg’s Howl as the guy “who jumped off the Brooklyn Bridge this actually happened and walked away unknown and forgotten into the ghostly daze of Chinatown.” (It was actually the Manhattan Bridge, and he ended up in the hospital, but why fact-check poetry?)

Tuli, at age 86, has over $3500/month uncovered medical bills. If the benefit slated for Bowery Poetry Club this Saturday features lower-key line-up, it’s also a little more affordable to ordinary folk ($10 min) and consists of the unsung backbone of LES poetry and arts scenes for the last forty years: Penny Arcade, Bob Holman, Clayton Patterson, Taylor Mead, David Amram, Peter Stampfel, John S. Hall and King Missile, Steven Taylor, Steven Ben Israel, Max Blagg and more. Thanks to organizer Carey Abrams (who, among other things, leads the Lower East Side History Project’s walking tour on the Beats) for bringing the event to our attention.

Saturday, March 6, 8 pm. Bowery Poetry Club (308 Bowery, btwn Houston and Bleecker).

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Our friend David Freeland writes:

To all who were planning to attend tomorrow night, I’ve just received word that Dixon Place has decided to cancel this and all other events tomorrow because of the snowstorm that (if predictions are accurate) will be blanketing the entire New York region with lots of fluffy white stuff.  Fortunately, we will be rescheduling, so as soon as we determine a new date I will let you know!

The NYU Dept of Comparative Literature, NYU Tisch School of the Arts, Cooper Union Irwin S. Chanin School of Architecture, and NYU Dept of Media, Culture & Communication are pleased to present a public lecture by internationally renowned South African artist William Kentridge tomorrow night, February 9th at 8 p.m. at Cooper Union’s Great Hall (7 E. 7th Street at Bowery). The talk is free and open to the public. Photo ID is required for entry.

Kentridge’s talk “A Universal Archive … with Some Remarks on Black Holes” will explore visual memory, the need for dis-remembering, studies in the speed of light, and other topics and themes at the edges of the artist’s work.

William Kentridge is known for his stop-motion films of charcoal drawings as well as for works in etching, collage, sculpture, and the performing arts. An exhibition of three decades of Kentridge’s works will be at New York’s Museum of Modern Art (Feb. 24-May 17) later this year.

In March, Kentridge will direct a production of Dmitri Shostakovich’s opera The Nose at the Metropolitan Opera House. The production features Paulo Szot, who won a Tony Award last year for his performance in South Pacific at Lincoln Center. (Click here to watch a video about the Met’s production featuring an interview with Kentridge.)

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BY MANNAHATTAMAMMA

What, you say, tickets to see “The Nutcracker” at Lincoln Center will blow your entire holiday budget in one afternoon?  Please god, you say, not another iteration of Clara and that damn soldier.  I’m begging, you grovel, no more Sugar Plum Fairy.

But then what about the children and their wide-eyed wonder at the Nutcracker’s miraculously growing Christmas tree, their delight in the sparkles and spangles of that twirling fairy and her cavalier?  What about the need for family traditions and events that mark the onset of that time of year known as “the holiday season”?

I have, my friends, a solution.  A solution that incorporates disco, ballet, hoofing, bubble-wrap stomping, adagio, pratfalls, shtick, glissades, contractions, hinges, arabesques, songs, and thumb-sucking.  Not to mention spangles, sparkles, and fairies, all set to Tchaikovsky’s glorious music.

Where do you find all those things in one performance? Go see “Nut/Cracked,” danced by the wildly, wonderfully, witty David Parker and The Bang Group.  TBG has been on the dance scene in New York for more than a decade, making wonderful dances that put to rest the idea that “going to the ballet” has to be a Serious Event.  An evening with TBG shows us how elemental movement is to the human spirit, and how exciting it can be when artists refuse to be confined to one particular generic box: who says that men can’t dance en pointe? Why isn’t it possible to make music and rhythm just from the sounds of velcro sticking and unsticking? And where is it written that choreographers shouldn’t make their audiences laugh out loud?

“Nut/Cracked” is the Nutcracker story for a New York audience (and anyone else who appreciates a good mash-up and really, who among us doesn’t?)  It’s also a great way to introduce children to dancie – particularly to boys who think that dancing is “sissy” or “boring” or “silly.”  Some of “Nut/Cracked” is silly—but it’s also athletic, visually interesting, smart, and poetic. The dancing is superb, as it always is with TBG, and you’ll leave the theater smiling, humming “Waltz of the Flowers” under your breath, and realizing that the phrase “Sugar Plum Fairy” now has a whole new meaning.

For ticket information about “Nut/Cracked” and other holiday programs at DTW, click here.  To read what Ballet-Dance Magazine wrote about TBG a few years ago, click here.

Our friend Eric Ferrara at the Lower East Side History Project sends a reminder that the Ottendorfer Library on Second Ave., the oldest branch in the NYPL system, celebrates its 125th anniversary today. He notes:

Built in 1884, the Ottendorfer library is one of the Lower East Side’s oldest and most important institutions. It was realized through the efforts of Bavarian-immigrant Anna Ottendorfer — a remarkable woman who dedicated a large part of her life to the sick, elderly and working-poor of her adopted city.

If you have never visited this beautiful library, this will be a great chance to meet the people behind the scenes, learn about the library’s role in the community, and discover its particularly rich history.

Ferrara, author of A Guide to Gangsters, Murderers, and Weirdos of New York City’s Lower East Side, will be a featured speaker.

Ottendorfer Library
135 Second Avenue (at St. Marks Place), New York, NY 10003
6 to Astor Place, F/V to 2nd Ave, N/R to E.8th St
(212) 674-0947
FREE!

We’re pleased to join with a group of other NYC blogs in a collaboratively produced 2009 holiday guide. See the bottom of this entry for links to participating sites.

nissenbaum.jpgHow about putting a little history in your holiday basket? Stephen Nissenbaum’s The Battle for Christmas is a perennial favorite around these parts.

Nissenbaum, in a highly entertaining narrative, shows not only that the American version of the holiday has been commercial from the start (the Macy’s Thanksgiving Parade was a late arrival on that front), but also that it’s what you’d call an “invented tradition.” All the bits about Dutch origins were part of an effort among nineteenth-century New York gentry — the self-anointed Knickerbocker set — to create a colonial cultural heritage for themselves by establishing the social preeminence of their Dutch lineage, real or imagined. A byproduct: Santa Claus was able to sidestep an earlier Puritan bias against celebrating Christmas in the American colonies. Cyrus has summarized Nissenbaum’s argument here before, but Santa Claus was smuggled into New York by the group of patricians also responsible for the New-York Historical Society (especially John PIntard) and writer-friends such as Washington Irving and Clement Clarke Moore.

Irving doesn’t need so much introduction, but many readers may not have heard of Moore, or if they have they know him only for his poem “A Visit from St. Nicolas,” more familiarly known by its first line: “Twas the night before Christmas.” But Moore left his imprint all over the city, especially in Chelsea, the neighborhood named after his family estate. (His father was both the president of Columbia College and New York’s Protestant Episcopal Bishop; his grandfather, a British officer, had purchased farmland in Chelsea in the 1750s, but the Moores had owned land in Queens since the 1650s.) After graduating Columbia as valedictorian in 1798, Moore dabbled in belles lettres and anti-Jeffersonian pamphleteering, compiled a two-volume English-Hebrew lexicon, and donated the land for the General Theological Seminary, where he was a professor of classical languages for three decades. (The seminary still stands, filling the entire block from Ninth to Tenth Avenues between West 20th and 21st Streets.)

Nissenbaum’s The Battle for Christmas is especially good on making Moore’s famous “A Visit from St. Nicolas,” written in 1822, come alive in new ways. Ever wonder why the poem’s narrator was so quick to spring from his bed to see what was the matter (rhymes with “clatter”)? He probably thought a house-break was in progress. Christmas in early nineteenth-century New York, Nissenbaum suggests, had started to take on some of the elements of English seasonal misrule. But what had traditionally served as an escape valve — allowing laborers to let off some steam but ultimately keeping social order in check — was turning increasingly violent as a new industrial order demanded more of workers without giving much back. The mobs of working-class carolers who had traditionally demanded that rich folk bring them some figgy pudding — insisting that they wouldn’t leave until they get some — were evolving into “Callithumpian bands” parading in the street making noise and committing acts of petty larceny. (One contemporary described these roving bands as made up of “Negroes, servants, boys, and other disorderly persons.”)

I won’t give much more away, but Nissenbaum argues that the significance of Moore’s poem was to silence a little of that seasonal clatter, tame it to protect polite audiences. Santa Claus is a housebreaker, sure, but he’s bringing gifts for the kiddies. The “patron-client exchange” that had defined seasonal misrule (“We won’t go until we get some!”) shifted to a parent-child exchange that made Christmas a domestic holiday rivaled only by the invented tradition of American Thanksgiving, taking shape around the same time. Moore’s poem helped make Christmas “a practical simple ritual that almost any household could perform.” The upshot: we have nineteenth-century New Yorkers, not seventeenth-century New Amsterdammers or their Old World parents, to thank for the cult of St. Nick and for Christmas trees. (Speaking of Christmas trees …)

How to thank Mr. Moore? You might, like Cyrus’s family, make his poem part of your own holiday ritual. (He recommends the pop-up edition by Robert Sabuda.) Or try one of these annual Moore Advent events:

Chelsea Community Church (346 W. 20th St.) holds an annual candlelight service and reading of Moore’s poem. This year’s event happens on December 13 at 6 pm. According to the NYC Parks & Rec website, at the nearby Clement Clarke Moore Park (W 22nd St. at 10th Ave.), neighborhood folk gather on the Sunday before Christmas for a reading of his poem. A similar event takes place uptown, in Washington Heights, at the Church of the Intercession (155th St. and Broadway), where people gather for carols, a reading of Moore’s poem, and a candlelight march to Moore’s grave site, in the Trinity Cemetery on 155th Street. This celebration has apparently been going on since 1911; this year it takes place December 20 at 4 pm.

A few other historically oriented seasonal suggestions:

If you’d like to seek out a patrician New York Christmas that predates Moore’s poem (and hence is decidedly not Santa-centered), check the seasonal calendar for the eighteenth-century Van Cortlandt House Museum in the Bronx.

Jewish historians of Christmas, Episcopalian compilers of Hebrew lexicons, and Tin Pan Alley’s Jewish Christmas Broadway musicals notwithstanding, maybe Christmas just isn’t your thing? Then you probably already know the traditional alternative for December 25 is dim sum. We’re not exactly sure when this practice started, but the big decision, these days, is whether to go with Jing Fong or Golden Unicorn. When you’re finished eating, work off some calories on Big Onion’s 19th Annual Dec. 25 walking tour of the old Jewish Lower East Side.

George Balanchine’s Nutcracker has been a tradition in New York City since 1954. The very thought may make you yawn. If so, did you know that Uptown Dance Academy has been performing Black Nutcracker since 1995? Catch it at the Apollo Theater on December 22nd; proceeds go toward a new studio for the kids.

If you’d like to revive a non-commercial historic NYC holiday tradition, try “calling on” (visiting) as many friends as possible on New Year’s Day. You’ll need to bring the equivalent of a photographic calling card to leave behind. I suppose you could do something like this on Facebook, but we’re fans of the slow media version that requires actual travel from house to house. We wrote about it last holiday season, as did our friend Esther at Ephemeral New York.

A final suggestion for those who’d prefer to bring a little misrule back to your yule: you might consider joining in the annual Parade of Santas in Santacon NYC 2009, on December 12. Be warned: though some participants will be decked out in period costumes, you may also encounter pub crawlers with puke in their beards. (Putting the ho back in ho! ho! ho! since 1994. A little Santacon history here.) We suggest it in the spirit of the nineteenth-century Callithumpian bands, mentioned above.

Discover lots more in the 2009 “NYC Bloggers Do the Holidays” Guide:

Brooklyn Based:
Home for the Holidays

Give and Get:
Tis The Season to Volunteer

the improvised life:
unwrapping the holidays

Manhattan User’s Guide:
The Gift Guide

Mommy Poppins:
Offbeat and Multicultural Family Holiday Events

NY Barfly:
It’s the Holidays, Time to Drink

NewYorkology:
Big-ticket holiday shows: Nutcracker, Rockettes, Wintuk

offManhattan:

Ten Holiday Getaways Near NYC

the skint:
30 days of skintmas – a cheap (or free!) holidays-in-nyc-treat for every day of the season

The Strong Buzz:

Holiday Eats Old and New

WFMU’s Beware of the Blog: Happy Freakin’ Holidays Playlist
Walking Off the Big Apple
:
The Thin Man Walk: A New York Holiday Adventure with Nick and Nora Charles

If you write a NYC-oriented blog and would like to contribute to a future group post, please let us know!

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R-R-R-Record Fair!

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It’s time, again, for the WFMU Record Fair! Who knows what treasures you’ll uncover?

BikeBash.JPG Dear readers:

You’re hereby invited to a Bike Bash at 8 Mile Creek (240 Mulberry St., near Prince), sponsored by my awesome local bicycle shop, Bicycle Habitat, the evening of Thursday the 8th.

I’ll be one of five finalists reading original odes to our bicycles, all competing to win a new Trek Soho S. The audience will vote on our performances — so I need friends to be there! The party lasts from 6 to 9; happy hour is in effect until 10. The first 50 attendees get a free drink! The readings will take place around 7 or 7:30. The event will be held in “The Creek Bar,” downstairs.

The bike I’ve written a poem for is my recently retired crappy red Schwinn. I rode it hard and it served me well. I’ve written about it lovingly before. I’d publish my poem here but that would spoil the surprise, so turn out and lend me a push! (If you turn out and help me win, I promise to post the poem here.)

elizabeth.gifCambridge Companion contributor Elizabeth L. Bradley will be appearing at the Lost New York conference on Friday, but you can catch her tomorrow night at 7:00 p.m. at the New York Public Library in conversation with author Philip Lopate. They’ll be talking about Betsy’s book Knickerbocker: The Myth Behind New York.

Betsy is the deputy directory of the NYPL’s Cullman Center, and Lopate is a former Cullman Center Fellow, whose most recent books include Notes on Sontag and Waterfront: A Walk Around Manhattan.

Tickets to the event are FREE. Click here to reserve yours.
(NOTE: be sure to enter the number of tickets to activate the Smarttix system.)

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TM_vanishingcity.jpgI’m looking forward to this community event at Dixon Place:

Monday, September 28 at 7pm
The Vanishing City, A Townhall Discussion
Buy Tickets; $15 / $12 (general / students & seniors)

As NYC transforms into a playground for tourists and the wealthy, we celebrate our disappearing neighborhoods,
cultures, and idiosyncratic characters who gave us diversity, color, and vitality. Tonight we explore Mae West,
gangsters, and the golden days of burlesque on the Bowery.
Hosted by Dave Mulkins, co-founder, Bowery Alliance of Neighbors.

(h/t Jeremiah)

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