This Day in New York History

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aaron16_lg.jpgTODAY IN NEW YORK HISTORY

I write today about a moment in New York history that took place outside of New York City. It’s a moment when New York lost the all-time major league home run record to a player from Atlanta.

Thirty-five years ago today, Hank Aaron hit the 715th home run of his career, surpassing legendary New York Yankees slugger Babe Ruth, who had held the record since May 1935.

Of course, the Babe’s 714th and final home run wasn’t hit as a member of the Yankees: he had, by that time, become a member of the Boston Braves. Home run number 714 was, by the way, the Babe’s third of the afternoon, although the Braves lost 11-7 to the Pirates. You can read eye-witness accounts of those home runs in the Pittsburgh Post-Gazette. Ruth played his last major-league game five days later in Philadelphia: he hurt his knee playing in the field in the first inning, left the game, and retired two days later.

Aaron finished the 1973 season with 713 career home run, just one behind Ruth’s mark, and during that summer and the winter, he received constant hate mail and several death threats. By all accounts, Aaron was permanently scarred by the experience. Tom Stanton’s Hank Aaron and the Home Run That Changed America offers a gripping account of the year leading up to Aaron’s breaking of the record. And you can read the piece that Sports Illustrated published about Aaron’s home run here.

Aaron held the record until August 7, 2007, when Barry Bonds hit career home run number 756. Bonds currently has 762 career home runs.

 

Greetings.jpgTHIS DAY IN NEW YORK HISTORY

Thirty-six years ago today (January 5, 1973), Bruce Springsteen released his first album, Greetings from Asbury Park, N.J.  It was recorded in a single week at 914 Studios in upstate New York, 45 miles north of the City. The location and accelerated recording schedule enabled Bruce and his first manager, Mike Appel, to save as much as possible from the Columbia Records’ advance.

The album was hailed by critics, but largely ignored by the record-buying public. Two now-classic songs, “Blinded by the Light” and “Spirit in the Night” were released as singles, but went nowhere on the charts. In fact, the album sold only 25,000 copies in its first year. The success of Born to Run two years later led listeners to rediscover Bruce’s first album, which would ultimately sell 2 million copies. Rolling Stone magazine would later rank it 379th on its list of the 500 Greatest Albums of All Time (November 18, 2003).

In a review published that summer in Rolling Stone, Lester Bangs wrote that Springsteen

makes a point of letting us know that he’s from
one of the scuzziest, most useless and plain uninteresting sections of
Jersey. He’s been influenced a lot by the Band, his arrangements tend
to take on a Van Morrison tinge every now and then, and he sort of
catarrh-mumbles his ditties in a disgruntled mushmouth sorta like
Robbie Robertson on Quaaludes with Dylan barfing down the back of his
neck. It’s a tuff combination, but it’s only the beginning.

Bangs concluded his review by advising us to watch out for Springsteen: “Bruce Springsteen is a bold new talent with more
than a mouthful to say, and one look at the pic on the back will tell
you he’s got the glam to go places in this Gollywoodlawn world to boot.” Yes, indeed.

If you’ve somehow managed to avoid hearing the album, you can listen to it online at brucespringsteen.net. Meanwhile, Bruce’s new album, Working on a Dream, is scheduled to be released on January 27. You can pre-order it amazon.com.

Here’s the official video for “My Lucky Day,” the first single from the new album.

Bangs was fired by the editor Rolling Stone, Jann Wenner, later in 1973, for a negative review of the band Canned Heat that Wenner called “disrespectful to musicians.” Bangs went on to edit and write for the magazine Creem and became a legendary, gonzo-style rock journalist and critic. You can read a last interview with him here.

THIS DAY IN NEW YORK CITY HISTORY

EOTAW and others noted this one a little earlier today (it’s still the 8th for another 20 minutes!) but it’s certainly worth covering ourselves. I reported on the murder a few days later in my 6th grade class newspaper, which I edited and reproduced on brand spanking new Xerox technology. Here’s the 11:00 NBC news from this day in 1980.

I’m sure there were crowds at Strawberry Fields today. The closest I’ve come to being at one of the annual Lennon memorial singalongs came when George Harrison died, and crowds spontaneously gathered to the same spot. I’m glad I had my kids with me that day — seeing what a group of musicians could end up meaning to the world is something I’d hoped would stick with them, and I think it has.

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THIS DAY IN NEW YORK HISTORY

It’s 5:32 p.m., the precise time that Prohibition ended seventy-five years ago (December 5, 1933). Happy Repeal Day!

Prohibition began with the passage of the National Prohibition Act, known popularly as the Volstead Act after Representative Andrew Volstead of Minnesota, chairman of the House Judiciary Committee, who sponsored the bill. President Woodrow Wilson vetoed the bill on October 28, 1919, but Congress overrode the veto that very day. The 18th Amendment went into effect on January 29, 1920. Volstead lost his bid for re-election in 1922, after serving for 10 terms. Coincidence?

Here’s the text of the Amendment:

Section 1. After one year from the ratification of this article
the manufacture, sale, or transportation of intoxicating liquors
within, the importation thereof into, or the exportation thereof from
the United States and all territory subject to the jurisdiction thereof
for beverage purposes is hereby prohibited.

Section 2. The Congress and the several States shall have concurrent power to enforce this article by appropriate legislation.

Section 3. This article shall be inoperative unless it shall
have been ratified as an amendment to the Constitution by the
legislatures of the several States, as provided in the Constitution,
within seven years from the date of the submission hereof to the States
by the Congress.

Technically, the amendment didn’t ban alcohol, but it made obtaining it legally very difficult.
 
“Prohibition” is the name given to the amendment and the collection of acts passed under its authority. Prohibition made gangsters rich. According to the National Archives site, there were in New York City in 1925 at least 30,000 speakeasies and perhaps as many as 100,000. The policy became increasingly unpopular after the onset of the Great Depression. It was finally repealed when Utah (situational irony!) became the 36th state to ratify the 21st Amendment.

You can find out more about Prohibition at this site from Ohio State University.

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As a follow-up to our post on ex-Presidents later serving in other branches of government, today is also the day that John Quincy Adams took up his seat in the House of Representatives in 1831.

THIS DAY IN NEW YORK HISTORY

orson-wells-mtota-war-of-the-worlds.jpegExactly seventy years ago today, radio signals emanating from the twentieth floor of 485 Madison Avenue caused a panic. The occasion was the 8:00 p.m. broadcast of the CBS show Mercury Theater On Air, a special Halloween episode that featured an adaptation of H. G. Wells’s novel War of the Worlds (1898).

The broadcast was the brainchild of Orson Welles, who became famous as a result. The radio adaptation was written Howard Koch, who departed from Wells’s novel by setting the action not in England but in Grovers’s Mill, New Jersey. The conceit behind the radio play was to present the story as if it were actually happening in real time, and Welles used recordings of the Hindenburg disaster to inspire the cast and crew.

Events from the novel were presented as if they were news bulletins interrupting the regularly scheduled programming, with Welles first appearing in the guise of Professor Richard Pierson, “a famous astronomer.” Because many listeners tuned in late to the broadcast, they believed the fake bulletins to be real, causing a panic. A front-page article in The New York Times the next day described the furor:

The broadcast, which disrupted households, interrupted religious services, created traffic jams and clogged cqmmunications systems, was made by Orson Welles, who as the radio character, “‘The Shadow,” used to give “the creeps” to countless child listeners. This, time at least, a score of adults required medical treatment for shock and hysteria.

In Newark, in a single block at Heddon Terrace and Hawthorne Avenue, more than twenty families rushed·ont·of their houses with wet handkerchiefs and towels over their faces to flee from what they believed was to be a gas raid. Some began moving household furniture.

Wikipedia has a good account of the broadcast and its aftermath. A television film called The Night That Panicked America dramatized these events and was broadcast on Halloween night, 1975. A documentary called The Day That Panicked America was released in 2005.

war_spielberg_dvd.jpgIt is tempting now to read Welles and Koch’s adaptation as a meditation on world events, and the public’s response may well have been fueled by a sense of national unease at the increasing belligerence of Germany, which had annexed the Sudetenland on the first of the month, and Japan, which spent October invading Canton. Steven Spielberg’s effective 2005 adaptation of Wells’s novel seems, in retrospect, also to be a meditation on fears of invasion from abroad. Although Spielberg and screenwriter David Koepp follow Welles and Koch by setting the tale in New Jersey, the film is clearly marked by the events of 9/11. “Is it the terrorists?” 10-year-old Rachel Ferrier (Dakota
Fanning) screams, as she and her father, Ray (Tom Cruise), attempt to escape from Bayonne in a minivan.

You can stream or download the 1938 broadcast from the Internet Archive, which also has an interesting set of materials related to the Hindenburg.

THIS DAY IN NEW YORK HISTORY

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One hundred-twenty-five years ago today, the Metropolitan Opera House opened at 1411 Broadway, between 40th and 39th Streets. It had been built by a number of newly rich families — including the Vanderbilts, the Morgans
and the Rockefellers — who felt shut out at the fashionable Academy of Music on 14th Street.

The company gave a performance of Charles Gounoud’s Faust, sung not in French but in Italian, as was then the fashion. The opening night cast featured Italo Campanini as Faust and Christine Nilsson as Marguerite, with Sofia Scalchi, Mme. Lablache, Franco Novara, and Ernesto del
Puente in supporting roles. The conductor was Auguste-Charles-Leonard-Francois-Vianese. (Edith Wharton’s novel The Age of Innocence [1920] opens with a scene set at the Academy of Music during the “early seventies”: Nilsson is singing Faust, and Wharton’s narrator wittily comments on the use of Italian: “She sang, of course, ‘M’ama!’ and not ‘he loves me,’ since an unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.”)

The original building was designed by J. Cleveland Cady; it was nicknamed “The Yellow Brick Brewery” because of its seemingly industrial interior. A fire destroyed the building on August 27, 1892, forcing the cancellation of the 1892-93 season. Although the building was completely renovated and the opera re-opened for the following season, it soon became apparent that the building’s facilities were too small for the growing company.

Various locations for a new building were proposed over the years, including Columbus Circle and the site of the present Rockefeller Center. Finally, in 1966, the company moved to its present location at Lincoln Center. The Old Met was not given landmark status, so it was torn down the following year. Its original rival, the Academy of Music, had met a similar fate forty years earlier in 1926.

Thumbnail image for Jackie_Kennedy_husband_01.jpgTHIS DAY IN NEW YORK CITY HISTORY

Forty years ago today Jacqueline Kennedy, the most famous widow in the world and resident of 1040 Fifth Avenue, married Greek shipping magnate Aristotle Onassis. She was not quite forty years old; he was born in either 1900 or 1906, but no one knows for sure.

I made this discovery at the gym this morning, along with an even bigger discovery: NY1 has a daily feature called “This Day in New York City History”! I promise we won’t mine it too often to fill our own feature, but NYC history buffs may want to bookmark the page.

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columbus_landing.jpgThe first recorded celebration of “Columbus Day” took place in New York City on October 12, 1792, three hundred years to the day after Columbus first reached the Caribbean. The ceremony was organized by the Society of St. Tammany, also known as the Columbian Order, and included the dedication of a monument, a 14-foot “portable monumental obelisk” that was illuminated and made to simulate black marble. It depicted scenes from Columbus’s life. The New York Times ran a piece about this monument on August 4, 1889, describing it in some detail, though even then its whereabouts were unknown.

One hundred years later, a statue of Columbus by the Italian sculptor Gaetano Russo was erected in Columbus Circle, which would become the point at which distances to and from New York City are officially measured.

In the same year, President Benjamin Harrison issued a proclamation urging Americans to celebrate “Columbus Day,” and communities across the country responded with plays, pageants, and other festivities. The following year saw the opening of the World’s Columbian Exposition in Chicago, remembered for its famous “White City” and for Frederick Jackson Turner’s address to the American Historical Society on “The Significance of the Frontier in American History.” [Click here for a virtual tour from the Crossroads site at the University of Virginia and here for the University of Illinois's digital exhibition.]

In 1937, President Franklin Roosevelt proclaimed that every October 12 would be a federal holiday known as “Columbus Day.” President Richard Nixon changed the official date of the holiday to the second Monday in October (which happens, incidentally, to be Canada’s Thanksgiving Day).

In 1992, the insights of multiculturalism led to both introspection and protests around the holidaty. An editorial in the New York Times noted that “today, in New York City, Spain officially commemorates the 500th anniversary by observing a ‘Day of Respect for Native American Cultures.’” The editorial concluded, however, that “it is as unfair to burden Columbus with all the depredations that followed his voyage as it is to credit him alone with the development of the Western Hemisphere. It is enough that a long and different time ago, he opened the way.”

THIS DAY IN NEW YORK HISTORY

On October 12 and 13, 1982, the Clash opened for The Who at Shea Stadium. The Clash were touring support of their album Combat Rock. “Right away when we heard we were going to play there we thought
about the Beatles at Shea,” guitarist Mick Jones told the Associated Press.
“Everybody knew about it.” The band played fourteen songs in the rain:

London Calling
Police On My Back
The Guns of Brixton
Tommy Gun
Magnificent 7
Armagideon Time
Rock The Casbah
Train In Vain
Career Opportunities
Spanish Bombs
Clampdown
English Civil War
Should I Stay Or Should I Go
I Fought The Law

I didn’t see the Shea Stadium shows, but I did see the band about a month earlier at Pier 84. It was an amazing show, and when the rain began to fall — hard — at the end of the show, it seemed only to energize the band. There’s an account of that gig online here, along with descriptions of existing bootlegs of the show.

Meanwhile, the second Shea Stadium show has just been released on CD.  According to Rolling Stone‘s review of the album, “the album captures a rousing, crystalline-sounding Clash show.” You can find out more about The Clash Live at Shea Stadium via this YouTube video:

THIS DAY IN NEW YORK HISTORY

The Chicago Cubs defeated the New York Mets last night, 9-5, clinching home field advantage throughout the National League playoffs and damaging the Mets’ playoff hopes.

This morning’s New York Times reminds us of a match-up between baseball clubs from Chicago and New York that took place one hundred years ago today in the old Polo Grounds in Harlem, which also adversely affected the New York team’s playoff chances.

On September 23, 1908, the New York Giants had a one-game lead over the Chicago Cubs in the standings, and their game was tied 1-1 in the bottom of the ninth. With a man on first and two outs, nineteen-year-old Fred Merkle, the Giants’ rookie first baseman, hit a single, sending the runner to third. The next batter hit a fastball over second base, a clear base hit, and the man on third scored, giving the game to the Giants. Had the ball not been hit out of the infield, Merkle could have been called out at second on a force play, but because the ball was hit out of the infield, Merkle didn’t run all the way to second — which was customary. But Johnny Evers, the Chicago second baseman, retrieved the ball, took it to second, argued that Merkle should be called out and the run nullified. The umpire at second refused to rule, but at 10:00 p.m. — from the safety of his hotel room — he ruled Merkle out.

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 New York Giants first baseman Fred Merkle in 1908.

To make a long story short, the game was ruled a tie; the Cubs and Giants ended the regular season tied, forcing a one-game playoff — which Chicago won. They went on to defeat the Detroit Tigers in the World Series — and that was the last World Series the club ever won. Make of that what you will.

Merkle went on to have a respectable 14-year career, but he never really lived down his “mistake” — which, given the conventions in use at the time, wasn’t really a mistake at all.

Kevin Baker’s account in the Times is more detailed and a lot more vivid. Take a look.

And you can read the Times account of the game from one hundred years ago here.

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