Today I begin teaching a two-week intensive undergrad seminar on New York’s Downtown Scenes, 1960-80. The course meets four hours a day, five days a week. It promises to be a little intense.
To set the stage, today we’ll discuss Ginsberg’s Howl, talk about the physical space and population of the Village and the LES in the 1950s and 1960s, and head out on a Beats-themed walking tour led by Cary Abrams of the Lower East Side History Project. (You can take the tour Thursdays at 2:00 if you’re interested.)
We’ll also, assuming the new super-smart business-school classroom we’re meeting in has something as old-fashioned as a VCR, watch Alfred Leslie and Robert Frank’s 1959 film Pull My Daisy, considered a watershed in avant-garde American film. Narrated by Jack Kerouac and adapted from his play, the film stars Ginsberg and Gregory Corso as themselves and also features the musician David Amram, both as music director and actor. Amram discusses the film in this three-part interview, which includes enough clips to give you an idea of what the film’s like:
And here’s the film in its 26-minute entirety: