by Bryan Waterman | Oct 17, 2011 | City on Stage, Fashion, Writing New York
In the epilogue to Anna Cora Mowatt’s comedy Fashion (1845) — modeled, as Edgar Allan Poe pointed out in an early review, on Sheridan’s plays — one character expresses her hope that Fashion will become fashionable. The play’s republican...
by Bryan Waterman | Sep 29, 2011 | City on Stage, Teaching, Writing New York
Following on yesterday’s Q&A with Alex Roe, who directed The Contrast for the Metropolitan Playhouse in 2009, today we’re happy to host a Q&A with Professor Cynthia Kierner of George Mason University, who edited the play with a substantial...
by Bryan Waterman | Sep 28, 2011 | City on Stage, Writing New York |
Two seasons ago our friends at the Metropolitan Playhouse put on a fantastic staging of Royall Tyler’s The Contrast (1787). At the time I wrote a couple posts about it. Since we’re spending a week with the play here for #vWNY I thought this might be a good...
by Bryan Waterman | Sep 26, 2011 | City on Stage, Complete, Writing New York
Cyrus’s discussion of Irving’s History over the last week or so lays the foundation for one of the big trajectories we trace in Writing New York: the idea of constructed histories — the literariness of the city’s history — and the very...
by Bryan Waterman | Jan 31, 2011 | City on Stage, Writing New York |
As many times as I’ve given my lecture on nineteenth-century theater in Writing New York, I’ve almost never been able to pace it right to conclude as planned with the Astor Place Riots, which is probably how I came to write this post last year. I’ll...
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